English 309: Creative Nonfiction

Fall 2015 | Dr. Terry Lee

 

W1—T Th 11-12:15  Ferguson 222

W2— T Th 3-4:15 McMurran 257

 

Office: McMuran 201b | Office Hours: W 2-4; TTh 1:30-2:30

757-594-7686

Our aim in this course is to write well-researched stories that people want to read— stories that engage, inform, and entertain readers. To become better writers, we will read and critically analyze creative nonfiction— also known as literary journalism, narrative journalism and the literature of fact. We will sharpen our abilities to analyze the written work of writers, to report accurately and to write for story.

 

This class requires all students to travel off campus throughout the semester to report and do interviews as part of their creative nonfiction studies, but you don't need a vehicle.

 

Goals of the class:

• To develop skills in observing and reporting the world around us.

 

• To sharpen research skills so as to develop breadth and depth in creative nonfiction writing.

 

• To develop writing skills in narrative nonfiction.

 

• To study and apply techniques in story development, such as characterization and scene building.

 

• To study and critique nonfiction stories to understand technique and structure.

 

 

Assignments

 

• 8/25

• Introduction to creative nonfiction: Essay,  Narrative, Research.

• "Drugs, Sweat & Fear,"

 New York Times, Diana Spechler

 

• 8/27

THE PERSONAL ESSAY

"The Inheritance," Joyce Maynard

• Clark, 1-30, "Nuts & Bolts"

______________________

 

9/1

THE PERSUASIVE ESSAY

"Demanding More from College,"

New York Times, Frank Bruni

• "The Wilds of Education,"

New York Times, Frank Bruni

 

9/3

• "She's Rarely the Boss,"

Nicholas Kristoff

• "Why Men Need Women,"

Adam Grant

• Clark, 31-56, "Nuts & Bolts"

______________________

 

9/8

THE NARRATIVE STORY: Overview & Shorts on Character

Mark Kramer on "narrative."

• Clark 124-137:  Reports vs. Stories;

Dialogue as Action; Reveals Traits of Character

• "A Spotlight on Calcutta's Red-Light Children," Lynda Richardson

Walter Salb, Matt Schudel, Washington Post

 

9/10

THE NARRATIVE STORY: Researched Magazine Personality Profile (aka long-form style)

• "The Lone Star," Dan Halpern The New Yorker, August 22, 2005. Available on ProQuest Online. Enter in search window: the lone star dan halpern.

• Clark 155-158: "Place Gold Coins along the Path"

______________________

 

9/15

THE MAGAZINE-STYLE STORY

• "Pregnant With Complications (pdf),"

Lisa Belkin, NYTimes Magazine (online)

• Clark 142-149: "Foreshadow events

and conclusions; Suspense and

Internal cliffhangers"

Persuasive Essay Due today

 

9/17

• "The Women's War," Sara Corbett, NYTimes Magazine

 • Franklin: Stalking the true story (70-90)

______________________

 

9/22

NARRATIVE AND NARRATIVE ESSAY

Michael Pollan on "narrative."

• "An Animal's Place," Michael Pollan

 

9/24

• "Mrs. Kelly's Monster," Franklin (28)

• Franklin: structure (91-121)

______________________

 

9/29

THE COME-ALONG-WITH or DAY-IN-THE-LIFE NARRATIVE

 Finding story in the work-a-day world...

• Mark Kramer, Reporting & Coming Back with a Notebook Full of Narrative

"Cops," Lauren Price, Lookout

• "The Accidental Celebrity: Attica Chef Ben Shrewry," Adam Sachs, bon appetit

 

10/1

• "The Heroes, The Healing," Neil Shea

____________________

 

10/6

STYLE & THEME IN BOOK-LENGTH NARRATIVE

The Orchid Thief, Orlean (3-152)

 

10/8

The Orchid Thief, Orlean (153-end)

____________________

10/13

• Fall break

 

10/15

Researched creative nonfiction story proposal due. (See "Requirements" for details.)

• One third of class meets. Bring typed photocopies of your proposal to workshop. (sign up)

____________________

 

10/20

• One third of class meets. Bring typed photocopies of your proposal to workshop. (sign up)

 

10/22

• One third of class meets. Bring typed photocopies of your proposal to workshop. (sign up)

 

____________________

 

10/27

Rosa Lee, Dash

• Come-along story roundtable

 

10/29

 • Rosa Lee, Dash

____________________

 

11/3

Rosa Lee, Dash

•Come-along story roundtable

 

11/5

Rosa Lee, Dash

____________________

 

11/10

Come-Along-With or Day-in-the-Life narrative due today

• Building a working story outline

 

11/12
Clark 165-179, "Writing from Different Cinematic Angles," and "Report and Write for Scenes"

• Franklin 70-90 "Stalking the True Short Story" (reprise)

• workshop

____________________

 

11/17 —Small-group meetings

• Class presentation of Researched RCNF story (your successes, your challenges) + 250-word paragraph on how you are using research in the story. (sign up for class today, 11/19 or 11/24)
"By The Skin of My Teeth," J.T. Hosack, Jr., (handout)

• Bring 10 copies of something that you are working on for your story, a scene setter, nut, outline... and so on.

 

11/19—Small-group meetings

• Class presentation of Researched RCNF story + 250-word paragraph on how you are using research in the story. (sign up)

"By The Skin of My Teeth," J.T. Hosack, Jr., (handout)

• Bring 10 copies of something that you are working on for your story, a scene setter, nut, outline... and so on.

 

Friday, 11/20

• 4-5 p.m.: Extra office hour

____________________

 Monday, 11/23

• 11-12 p.m., office hour

• 12-2 p.m: Make-up class in McMurran 200C

 

11/24

• Story revision—no class

 

11/26

• Thanksgiving

____________________

 

12/1

"Addicted to Distraction," Tony Schwartz, New York Times

 

12/3

• "Waking Suzanne," Crystal Hamlett

 

 

 

Comprehensive Assessment

 

Tuesday, 12/8

Researched Creative Nonfiction Story due in class.

Section 01—11 a.m.

Section 02—2 p.m.